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    <loc>https://www.araburbanism.com/tafseela/en/a-house-in-mtein</loc>
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      <image:title>Tafseela Blog - A House in Mtein - axonometric diagram</image:title>
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      <image:title>Tafseela Blog - A House in Mtein - concept diagram</image:title>
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      <image:title>Tafseela Blog - A House in Mtein - building plan</image:title>
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      <image:title>Tafseela Blog - A House in Mtein - Section diagram</image:title>
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      <image:title>Tafseela Blog - A House in Mtein - Detail drawing</image:title>
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      <image:title>Tafseela Blog - A House in Mtein - detail under construction</image:title>
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      <image:title>Tafseela Blog - A House in Mtein - detail interior</image:title>
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      <image:title>Tafseela Blog - A House in Mtein - exterior front façade</image:title>
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      <image:title>Tafseela Blog - A House in Mtein - exterior back façade</image:title>
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      <image:title>Tafseela Blog - A House in Mtein - view of courtyard, site under construction</image:title>
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    <loc>https://www.araburbanism.com/tafseela/shafa-pavilions</loc>
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    <lastmod>2020-10-05</lastmod>
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      <image:title>Tafseela Blog - Shafa Pavilions</image:title>
      <image:caption>Figure 1. View of the project’s site</image:caption>
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      <image:title>Tafseela Blog - Shafa Pavilions</image:title>
      <image:caption>Figure 2. Site Plan</image:caption>
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      <image:title>Tafseela Blog - Shafa Pavilions</image:title>
      <image:caption>Figure 5. Door details</image:caption>
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      <image:title>Tafseela Blog - Shafa Pavilions</image:title>
      <image:caption>Figure 3. Construction works</image:caption>
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      <image:title>Tafseela Blog - Shafa Pavilions</image:title>
      <image:caption>Figure 4. Construction works and materials</image:caption>
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      <image:title>Tafseela Blog - Shafa Pavilions</image:title>
      <image:caption>Figure 4. Joint details from site</image:caption>
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    <lastmod>2020-10-05</lastmod>
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      <image:title>Tafseela Blog - The Urban as a Tool</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1584814815478-L3Z0YY7SQYHT4APH4MR7/79943961_2745880748783077_1593248243351814144_o.jpg</image:loc>
      <image:title>Tafseela Blog - The Urban as a Tool</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1584814666539-B4NX8P7FFQWA7TCDNHBJ/79681567_2745880742116411_6699180204641746944_o.jpg</image:loc>
      <image:title>Tafseela Blog - The Urban as a Tool</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1584815395610-4KZVRTWYACVSKK9XUUWJ/78654181_2745880725449746_8861561234470731776_o.jpg</image:loc>
      <image:title>Tafseela Blog - The Urban as a Tool</image:title>
      <image:caption>Figure 1. Sketch of mentioned street and shops in Fes</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.araburbanism.com/tafseela/en/the-green-buffer-pavement-of-amman</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1584833896426-LCLJW84M52J2X19RGF9V/Figure+1.jpg</image:loc>
      <image:title>Tafseela Blog - The Green Buffer Pavement of Amman</image:title>
      <image:caption>Figure 1. A typical configuration of residential urban elements in Amman, showing the relationship between the private space surrounding the apartment buildings, perimeter fences, green-buffer-pavements and the public space of the road.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1584834022195-1A2W73NZR9ZE0XLYL0P5/Figure+2.jpg</image:loc>
      <image:title>Tafseela Blog - The Green Buffer Pavement of Amman</image:title>
      <image:caption>Figure 2. A typical green-buffer-pavement configuration in al-Shmeisani - an upper-middle-class neighborhood in central Amman, featuring sculpted Thuja Occidentalis on the left and olive trees - Olea Europaea on the right.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1584834124516-B56AJ5OGW8JP10HJFNJM/Figure+3.jpg</image:loc>
      <image:title>Tafseela Blog - The Green Buffer Pavement of Amman</image:title>
      <image:caption>Figure 3. Ornamental Thujas and established conifers form a green buffer in Al-Jandaweel district. Another layer of buffering is added by the parked cars. Small plant pots serve as markers for house entrances to prevent on-street parking encroachment.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1584834233439-AN9R48M893OKHU26UF9C/Figure+4.jpg</image:loc>
      <image:title>Tafseela Blog - The Green Buffer Pavement of Amman</image:title>
      <image:caption>Figure 4. Green-buffer-pavement featuring terraced levels and olive trees on a slope in Marka district in Amman.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1584834532277-3DVECQ8Q4HWCJ6CGWAJX/Figure+5.jpg</image:loc>
      <image:title>Tafseela Blog - The Green Buffer Pavement of Amman</image:title>
      <image:caption>Figure 5. A thriving Thuja Occidentalis sprouting from the centerline of a pavement abutting a residential building in Al-Shmeisani district in Amman.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.araburbanism.com/tafseela/ar/neural-networks</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1584830035864-PCKRO9TT126XK7NIR8LW/1.jpg</image:loc>
      <image:title>Tafseela Blog - التعلم من الشبكات العصبيّة</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1584830075791-OFLU0LPPRA8LLBC78GHA/2.jpg</image:loc>
      <image:title>Tafseela Blog - التعلم من الشبكات العصبيّة</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1584830237344-KS55L49K7EHFW94WMGTT/3.jpg</image:loc>
      <image:title>Tafseela Blog - التعلم من الشبكات العصبيّة</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1584831326874-GDB3NVQZXQ7DFN09HRCT/5-Steel+Joint+model+-+Rendering.jpg</image:loc>
      <image:title>Tafseela Blog - التعلم من الشبكات العصبيّة</image:title>
      <image:caption>رسم رقم ٢. صورة للمفصل الفولاذي</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1584830876653-IIMC8SZ03CQ8C9HIXNJN/Beirut_design_week_2018_yatzer-Neural+Networks-+100-50+-5+cm+at+Beit+Beirut-photo+Taim+Karessly-Adorno+abs.jpg</image:loc>
      <image:title>Tafseela Blog - التعلم من الشبكات العصبيّة</image:title>
      <image:caption>رسم رقم ٣. مشروع الشبكات العصبيّة في أسبوع بيروت للتصميم عام ٢٠١٨. المصور تيم كاريسلي-أدورنو</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1584831039531-WVK91RNUBQKVHNKFLACO/4-Final+Mesh+for+Steel+Joint.jpg</image:loc>
      <image:title>Tafseela Blog - التعلم من الشبكات العصبيّة</image:title>
      <image:caption>رسم رقم ١. الشكل النهائي للمفصل الفولاذي</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.araburbanism.com/tafseela/ar/the-urban-as-a-tool</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1584815395610-4KZVRTWYACVSKK9XUUWJ/78654181_2745880725449746_8861561234470731776_o.jpg</image:loc>
      <image:title>Tafseela Blog - المدينة كأداة</image:title>
      <image:caption>رسم للشارع المذكور في مدينة فأس والحوانيت المجاورة</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1584814653837-Y8G0RO0II9BLZJ3RBNW9/79524747_2745880842116401_7849008314888224768_o.jpg</image:loc>
      <image:title>Tafseela Blog - المدينة كأداة</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1584814653756-MLAIUBAYVRBX2DZVKAON/80429371_2745880862116399_2859204057304662016_o.jpg</image:loc>
      <image:title>Tafseela Blog - المدينة كأداة</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1584814815478-L3Z0YY7SQYHT4APH4MR7/79943961_2745880748783077_1593248243351814144_o.jpg</image:loc>
      <image:title>Tafseela Blog - المدينة كأداة</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1584814666539-B4NX8P7FFQWA7TCDNHBJ/79681567_2745880742116411_6699180204641746944_o.jpg</image:loc>
      <image:title>Tafseela Blog - المدينة كأداة</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.araburbanism.com/tafseela/en/neural-networks</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1584831039531-WVK91RNUBQKVHNKFLACO/4-Final+Mesh+for+Steel+Joint.jpg</image:loc>
      <image:title>Tafseela Blog - Learning from Neural Networks</image:title>
      <image:caption>Figure 1. Final Mesh for Steel Joint</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1584830035864-PCKRO9TT126XK7NIR8LW/1.jpg</image:loc>
      <image:title>Tafseela Blog - Learning from Neural Networks</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1584830075791-OFLU0LPPRA8LLBC78GHA/2.jpg</image:loc>
      <image:title>Tafseela Blog - Learning from Neural Networks</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1584830237344-KS55L49K7EHFW94WMGTT/3.jpg</image:loc>
      <image:title>Tafseela Blog - Learning from Neural Networks</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1584831326874-GDB3NVQZXQ7DFN09HRCT/5-Steel+Joint+model+-+Rendering.jpg</image:loc>
      <image:title>Tafseela Blog - Learning from Neural Networks</image:title>
      <image:caption>Figure 2. Steel Joint Model Rendering</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1584830876653-IIMC8SZ03CQ8C9HIXNJN/Beirut_design_week_2018_yatzer-Neural+Networks-+100-50+-5+cm+at+Beit+Beirut-photo+Taim+Karessly-Adorno+abs.jpg</image:loc>
      <image:title>Tafseela Blog - Learning from Neural Networks</image:title>
      <image:caption>Figure 3. Neural Networks project at Beirut Design Week 2018. Photography by Taim Karessly-Adorno.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.araburbanism.com/tafseela/en/extended-steel-reinforcement-on-ammans-rooftops</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1584804704876-TZM483WVP3SGJRXL6VNN/map+2.jpg</image:loc>
      <image:title>Tafseela Blog - Extended Steel Reinforcement on Amman’s Rooftops</image:title>
      <image:caption>Map 2. Map showing approximate locations of “C” and “D” residential buildings in Amman, where extended roof columns are most commonly found. Source: An Introduction to the Urban Geography of Amman, Jordan. (Illustrated by Noor Marji).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1584804628196-032H1IHUIIQAM08P4H5I/diagram+1.jpg</image:loc>
      <image:title>Tafseela Blog - Extended Steel Reinforcement on Amman’s Rooftops</image:title>
      <image:caption>Diagram 1. Drawing Illustrating Reinforcement Steel Protruding out of Rooftop Column. (Illustrated by Noor Marji).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1584804431376-28LBZV9ACOF3ADUU7F31/diagram+2.jpg</image:loc>
      <image:title>Tafseela Blog - Extended Steel Reinforcement on Amman’s Rooftops</image:title>
      <image:caption>Diagram 2. Plan and Section View of Rooftop Column. (Illustrated by Noor Marji).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1584804004159-FN2LMM32AGVSQ0Q7VXQY/diagram+4.jpg</image:loc>
      <image:title>Tafseela Blog - Extended Steel Reinforcement on Amman’s Rooftops</image:title>
      <image:caption>Diagram 3. Drawing showing extruded columns on top of sample residential building and how they are meant to be used in the future through the addition of new floors. (Illustrated by Noor Marji).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1584804672952-PXMGQO8D46VU1TVLSW41/map+1.jpg</image:loc>
      <image:title>Tafseela Blog - Extended Steel Reinforcement on Amman’s Rooftops</image:title>
      <image:caption>Map 1. General illustrated map of Amman displaying the approximate locations where extended steel reinforced columns on rooftops could be observed, and their transformation as they slowly disappear towards the west. (Illustrated by Noor Marji)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1584803782923-PFP5BAN2J83EWG3W31J4/image+1+edited.jpg</image:loc>
      <image:title>Tafseela Blog - Extended Steel Reinforcement on Amman’s Rooftops</image:title>
      <image:caption>Images showing houses in East Amman (Marka, Al Mahatta, Jabal al Taj) featuring extended steel reinforced columns on their roofs. (Images by Noor Marji, 2020)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1584803903928-862ZEPMVRN1QP2K11LTM/image+3+edited.jpg</image:loc>
      <image:title>Tafseela Blog - Extended Steel Reinforcement on Amman’s Rooftops</image:title>
      <image:caption>Images showing houses in East Amman (Marka, Al Mahatta, Jabal al Taj) featuring extended steel reinforced columns on their roofs. (Images by Noor Marji, 2020)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1584803832513-EI5CFVWCM68RJ03NYCF0/image+2+edited.jpg</image:loc>
      <image:title>Tafseela Blog - Extended Steel Reinforcement on Amman’s Rooftops</image:title>
      <image:caption>Images showing houses in East Amman (Marka, Al Mahatta, Jabal al Taj) featuring extended steel reinforced columns on their roofs. (Images by Noor Marji, 2020)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1584804767240-92MC75UWACQUO13M9949/diagram+3.jpg</image:loc>
      <image:title>Tafseela Blog - Extended Steel Reinforcement on Amman’s Rooftops</image:title>
      <image:caption>Diagram 4. Drawing illustrating the transformation in roof features that can be noticed as we move from East Amman (Low-Income, vernacular architecture, Existence of Roof Column Feature) to Central Amman (Modern Ammani Architecture – Flat Roofs and Increased Openings) to West Amman (High-Income, Irregular Roofs and “Westernized” Features with no regard in the design for vertical expansion). (Illustrated by Noor Marji)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.araburbanism.com/tafseela/en/nabi-musa-vaults</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1584792187230-W19V5WZPXATQSDW8BRXB/fig.+1.jpg</image:loc>
      <image:title>Tafseela Blog - Vaults at Maqam En-Nabi Musa</image:title>
      <image:caption>Figure 1. Relationship with the desert environment.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1584789345546-0GPF1ZDZIHPI5XQDAEIF/fig.+2.jpg</image:loc>
      <image:title>Tafseela Blog - Vaults at Maqam En-Nabi Musa</image:title>
      <image:caption>Figure 2. Vaults made out of stone splinters placed radially.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1584789699709-BO33QF7FFHXZIAA1XR6G/fig.+3.jpg</image:loc>
      <image:title>Tafseela Blog - Vaults at Maqam En-Nabi Musa</image:title>
      <image:caption>Figure 3. Vaults made of out Stone-terracotta mixed technique. A: Stone, B: Terracotta pipes</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1584789463516-6JSEXZKKE15L3FG9JW9I/fig.+4.jpg</image:loc>
      <image:title>Tafseela Blog - Vaults at Maqam En-Nabi Musa</image:title>
      <image:caption>Figure 4. Stone-terracotta Vault</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1584789599631-6YS8VF4N9C288EHMR6SY/fig.+5.jpg</image:loc>
      <image:title>Tafseela Blog - Vaults at Maqam En-Nabi Musa</image:title>
      <image:caption>Figure 5. The layers of the terracotta shells. A: Protective layer of mortar, B: Mortared small flints and stones.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1584789909862-NICHLQ2R7NRNNTLVVD5Y/fig.+6.jpg</image:loc>
      <image:title>Tafseela Blog - Vaults at Maqam En-Nabi Musa</image:title>
      <image:caption>Figure 6. The layers of the terracotta shells. A: Protective layer of mortar, B: Mortared small flints and stones.</image:caption>
    </image:image>
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  <url>
    <loc>https://www.araburbanism.com/tafseela/category/projects</loc>
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  <url>
    <loc>https://www.araburbanism.com/magazine</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-08-09</lastmod>
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  <url>
    <loc>https://www.araburbanism.com/magazine/special-issue-editorial-ar</loc>
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    <lastmod>2023-06-01</lastmod>
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  <url>
    <loc>https://www.araburbanism.com/magazine/special-issue-editorial-team-en</loc>
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    <lastmod>2023-06-01</lastmod>
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  <url>
    <loc>https://www.araburbanism.com/magazine/special-issue-foreward-en</loc>
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    <lastmod>2023-06-08</lastmod>
  </url>
  <url>
    <loc>https://www.araburbanism.com/magazine/kinship-flows-informal-infrastructure-economies-in-beiruts-dahieh</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-06-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1684232990882-JVZQWUKL2HH1M8TSS943/Fig+1.jpeg</image:loc>
      <image:title>Magazine - Kinship Flows: Informal Infrastructure Economies in Beirut's Dahieh - Exposed cables on a utility pole. Photo&amp;nbsp;by author.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1684232991089-AYD0E817C0MAEY1X07I4/Fig+2.jpeg</image:loc>
      <image:title>Magazine - Kinship Flows: Informal Infrastructure Economies in Beirut's Dahieh - Exposed cables on a utility pole. Photo&amp;nbsp;by author.</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://www.araburbanism.com/magazine/deliberate-institutional-and-legislative-failures</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-06-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/f13c6de0-8bf2-4564-8074-aa5f33fa133e/Waste+Management+Facility+in+Aitat%2C+2018+Photo+by+Author.jpg</image:loc>
      <image:title>Magazine - Deliberate Institutional and Legislative Failures: On the Governmentality of Inefficient Infrastructure in Post-War Lebanon - Make it stand out</image:title>
      <image:caption>Waste Management Facility in Aitat, 2018. Photo by Author.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.araburbanism.com/magazine/alhaddamah-water-ecologies-kuwait</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-06-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/6b6b5576-60f0-4a78-b5f9-dc230324554d/Figure_10_Timeline.jpg</image:loc>
      <image:title>Magazine - Al-Haddamah: Floods, Ecological Time, and the Modernization of Kuwait&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Figure 10. Timeline of early state formation. Created by the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/5500057f-2a7d-4a02-b297-5ae0165d2bf5/Figure_05.jpg</image:loc>
      <image:title>Magazine - Al-Haddamah: Floods, Ecological Time, and the Modernization of Kuwait&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Figure 5. Al-Hiji, Yacoub Y. Alkindiri Carrying Water to People's Homes. 2004. Photograph. National Maritime Museum, Greenwich.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/9b2a811c-c402-4486-9cb2-c854c5b998d5/Figure_01.jpg</image:loc>
      <image:title>Magazine - Al-Haddamah: Floods, Ecological Time, and the Modernization of Kuwait&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Figure 1. Al-Hiji, Yacoub Y. Old Kuwaiti Home with the Merzam (Rain Gutter) Directed Away from the Wall of the House to Prevent Its Collapse. 2004. Photograph.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/6eac1f63-6e09-4198-82e4-690cbeedf058/Figure_02.jpg</image:loc>
      <image:title>Magazine - Al-Haddamah: Floods, Ecological Time, and the Modernization of Kuwait&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Figure 2. Depiction of a Hofra (Drainage ditch) that belonged to the Almahmeed family. It was built to capture rainwater primarily to prevent damage to surrounding buildings. Overflow from the Hofra would sometimes flood into the street. (Image source: Ayoub Hussein al-Ayoub. 2002. The Kuwaiti Heritage: In the Paintings of Ayoub Hussein Al-Ayoub. Kuwait: Center for Research and Studies on Kuwait.)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/712e3e00-3ce5-4f4c-93fe-4d3935e1ff5e/Figure_07.jpg</image:loc>
      <image:title>Magazine - Al-Haddamah: Floods, Ecological Time, and the Modernization of Kuwait&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Figure 7. Letter from Trenchard Fowl, Political Resident in the Persian Guld, to Sheikh Ahmad Al-Jaber Al-Sabah, dated 18 June 1938.  British Library: India Office Records and Private Papers, IOR/R/15/1/468, in Qatar Digital Library &lt;archive/81055/vdc_100023666188.0x00006b&gt; [accessed 17 April 2023].</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/c514d207-fd39-4d1f-9c27-835d62dd9057/Figure_09.jpg</image:loc>
      <image:title>Magazine - Al-Haddamah: Floods, Ecological Time, and the Modernization of Kuwait&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Figure 9. Minoprio, Spenceley and MacFarlane. The First Kuwaiti Master Plan Proposal in 1952. Drawing. Kuwait Municipality Archives.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/263eef0a-0ced-4838-bdc9-479e560b36c0/Figure_08.jpg</image:loc>
      <image:title>Magazine - Al-Haddamah: Floods, Ecological Time, and the Modernization of Kuwait&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Figure 8. A performance of “Fall, oh rain, fall” for Kuwait national day 1986. “ طق يا مطر طق بيتنا يديد مرزامنا حديد / حفل وزارة التربية الكويت والزمن الجمييل.” Kuwait Ministry of Education. https://www.youtube.com/watch?v=bRtSgGCTYUk. Accessed 17 April 2023.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/2951ee02-4f4e-4511-9517-a5b39b43942f/Figure_04.jpg</image:loc>
      <image:title>Magazine - Al-Haddamah: Floods, Ecological Time, and the Modernization of Kuwait&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Figure 4. Jamal, Mohammed A. Special Ships Called Booms with Imported Water from Shatt Al-Arab River Arriving at Kuwaiti Shores. Photograph. Kuwait National Library, 2012.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/e37b6b2e-1129-4e2e-be02-6394f2296394/Figure_03.jpg</image:loc>
      <image:title>Magazine - Al-Haddamah: Floods, Ecological Time, and the Modernization of Kuwait&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Figure 3. Ayoub, A. Hussein. (2). Representation of girls performing the Um Al Gaith (Mother of rain) song and dance. [Painting].</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/c677e83e-02ad-4563-a0bb-67405d502a21/Figure_06.jpg</image:loc>
      <image:title>Magazine - Al-Haddamah: Floods, Ecological Time, and the Modernization of Kuwait&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Figure 6. Dickson, Violet. House destroyed during Al-Haddāmah Flood, 1934. Source: Kuna Archive.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.araburbanism.com/magazine/the-landscape-beyond-the-highway</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-08-09</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/7fe479b0-24e5-4d2f-92f9-a3b19668f575/Figure+3.jpg</image:loc>
      <image:title>Magazine - The Landscape Beyond the Highway: Reclaiming the Depopulated Villages West of Jerusalem - Make it stand out</image:title>
      <image:caption>Figure 3. View from the Israeli recreational park, Ayalon Canada Park, built over the lands of Imwas. The tourist ‘palimpsests’ can be seen in the expanded Roman spring in the lower terrain, north-east of the former village, and the afforested areas with hiking trails on the higher terrain. Illustration by the author, August 2022.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/dd52c491-318d-42ed-93ad-f7eea6f7bb79/Figure+10.png</image:loc>
      <image:title>Magazine - The Landscape Beyond the Highway: Reclaiming the Depopulated Villages West of Jerusalem - Make it stand out</image:title>
      <image:caption>Figure 10. Translated screenshot from the website of the ‘Social and Youth Administration’ within the Israeli Ministry of Education. The original page is in Hebrew. Israeli Ministry of Education, Accessed August, 2022, https://edu.gov.il/noar/tiulim/about-us/Pages/all-about-us.aspx.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/72898d4c-b1b2-4af9-bee4-0d49bea48a3b/Figure+9.jpeg</image:loc>
      <image:title>Magazine - The Landscape Beyond the Highway: Reclaiming the Depopulated Villages West of Jerusalem - Make it stand out</image:title>
      <image:caption>Figure 9. Children playing in Sataf. Photograph by Iba’ Marmash, June, 2022. Personal archive, shared with the owner’s permission.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/4e72b7b3-1069-4ac1-9808-e091718ee86d/Figure+6.jpg</image:loc>
      <image:title>Magazine - The Landscape Beyond the Highway: Reclaiming the Depopulated Villages West of Jerusalem - Make it stand out</image:title>
      <image:caption>Figure 6. Reclamation through various media. From the top: poster for the Reconstruction of the Destroyed Palestinian Villages Competition, page and cover of a Palestinian guidebook to hiking trails in the depopulated villages in Jerusalem. ‘Palestine Land Society’, September, 2020; ‘Tracks through Nature Fus-ha Guidebook’, Burj Alluqluq, 2019. Collage by the author, August 2022.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/a37d9ebe-777a-4a1a-b2ba-4ee4c1ddc3fc/AU+-edited+map.jpg</image:loc>
      <image:title>Magazine - The Landscape Beyond the Highway: Reclaiming the Depopulated Villages West of Jerusalem - Make it stand out</image:title>
      <image:caption>Figure 2. Public transport network in Jerusalem showing Israeli and Palestinian bus lines and the Jerusalem Light Rail. Map by Jonathan Rokem and Laura Vaughan, ‘Segregation, Mobility and Encounters in Jerusalem: The Role of Public Transport Infrastructure in Connecting the “Divided City”’, Urban Studies 55, no. 15 (November 2018): 3454–73. Reproduced by author August 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/d17e9b9d-d9b8-455f-a607-cfa0ac57f6a5/Figure+1.jpg</image:loc>
      <image:title>Magazine - The Landscape Beyond the Highway: Reclaiming the Depopulated Villages West of Jerusalem - Make it stand out</image:title>
      <image:caption>Figure 1. Map of the road network in Jerusalem, showing Israeli settlements in the city and road connections towards Sataf and Imwas and other depopulated villages in the west. Map and data by Grassroots Al-Quds and ARIJ, n.a. Reproduced by author August 2022.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/bf185fbc-8f2d-4ce9-b779-e348ca76e5b9/Figure+4.jpg</image:loc>
      <image:title>Magazine - The Landscape Beyond the Highway: Reclaiming the Depopulated Villages West of Jerusalem - Make it stand out</image:title>
      <image:caption>Figure 4. Visualising Sataf’s terrain: ruins, trees, and dominant roads. The greenery and scenic views of the destroyed village have made it a main recreational destination for Palestinians. Illustration by the author, August 2022.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/3b6fd8d2-13d4-4cf6-b7bd-a2c0bbf04a4d/Figure+8.jpg</image:loc>
      <image:title>Magazine - The Landscape Beyond the Highway: Reclaiming the Depopulated Villages West of Jerusalem - Make it stand out</image:title>
      <image:caption>Figure 8. A Palestinian group on tour with tour guide Bashar Abu Shamsieh in Sataf. Photograph from Al-Jazeera.net. Aseel Jundi, ‘Following his father’s steps.. Abu Shamsia, a guide to the secrets and tales of Jerusalem’, 2019. Accessed June, 2022.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/198cab8b-a61e-4d62-beeb-d94258e0e090/Figure+5.jpg</image:loc>
      <image:title>Magazine - The Landscape Beyond the Highway: Reclaiming the Depopulated Villages West of Jerusalem - Make it stand out</image:title>
      <image:caption>Figure 5. Process drawings: Layered maps of Imwas showing two compilations of hand-drawn sketches with old and new maps and aerial photos of the village’s location. Sketch and photograph by the author, July 2022.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/b4556215-92c2-48eb-b6cf-157b375f25aa/Figure+7.jpg</image:loc>
      <image:title>Magazine - The Landscape Beyond the Highway: Reclaiming the Depopulated Villages West of Jerusalem - Make it stand out</image:title>
      <image:caption>Figure 7. Image of the segment of Highway 1 that extends south of Shufat and towards western Jerusalem. The signposts signal the Hebrew names of highways, including the Begin Boulevard, and the directions towards Israeli settlements. The accompanying Arabic and English texts are re-inscriptions of the same Hebraized names. Photograph by the author, July 2022.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.araburbanism.com/magazine/special-issue-editorial-en</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-08-03</lastmod>
  </url>
  <url>
    <loc>https://www.araburbanism.com/magazine/khartoum-strike</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-06-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/4469cdea-6674-4fef-bdc0-116943675bb8/Electricity+workers%E2%80%99+rally+5+September+2022+picture+via+TAM+on+Facebook+%281%29.png</image:loc>
      <image:title>Magazine - The Strike: Interrupting Power&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Electricity workers’ rally, Khartoum, Sudan. 5 September 2022. (Photo courtesy of TAM on Facebook).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.araburbanism.com/magazine/electricity-gaza</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-06-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/a81def65-574f-42fe-b42d-9282a2f328b0/_MG_2127-1.JPG</image:loc>
      <image:title>Magazine - الكهرباء في المجتمع الفلسطيني في قطاع غزة: ممارسات الحياة اليومية وآليات الجَلَد والمقاومة المجتمعية - Make it stand out</image:title>
      <image:caption>صورة رقم 1 من ألبوم معرض الفنان الفلسطيني محمد أبوسل، شمبر، 2012</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1be4fcba-3423-493f-8ecb-525820317a4e/_MG_1991-1.JPG</image:loc>
      <image:title>Magazine - الكهرباء في المجتمع الفلسطيني في قطاع غزة: ممارسات الحياة اليومية وآليات الجَلَد والمقاومة المجتمعية - Make it stand out</image:title>
      <image:caption>صورة رقم٢. من ألبوم معرض الفنان الفلسطيني محمد أبوسل، شمبر، 2012</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.araburbanism.com/magazine/imaginaries-from-a-blackout-en</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-06-01</lastmod>
  </url>
  <url>
    <loc>https://www.araburbanism.com/magazine/forward-imaginaries-from-a-black-ar</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-08-02</lastmod>
  </url>
  <url>
    <loc>https://www.araburbanism.com/magazine/collective-valleys</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-06-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/71b11890-29f1-4509-96f9-fba349548484/Figure+1.jpg</image:loc>
      <image:title>Magazine - Collective Valleys: Reclaiming Bisri’s Contested Landscape - Make it stand out</image:title>
      <image:caption>Figure 1: Dam construction in Lebanon’s valleys poses a major threat to the environment; Source: Photography by author and Google Earth Snapshots.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/e754e4fb-79f4-4eac-8e74-32ce6b97ab8c/Figure+10.jpg</image:loc>
      <image:title>Magazine - Collective Valleys: Reclaiming Bisri’s Contested Landscape - Make it stand out</image:title>
      <image:caption>Figure 10: The water infrastructure loop in Lebanon. Drawing by author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/c14a095a-ba80-4ff6-8323-a2afe757cd1d/Figure+4.jpg</image:loc>
      <image:title>Magazine - Collective Valleys: Reclaiming Bisri’s Contested Landscape - Make it stand out</image:title>
      <image:caption>Figure 4: Contradiction between the National Water Sector Strategy (NWSS) and the National Physical Masterplan of the Lebanese Territory (NPMLT): the National Water Strategy overlaps with ecological corridors to be preserved. Drawing by author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/b8334b81-b7bb-4c29-8a92-00164d599b34/Figure+6.jpg</image:loc>
      <image:title>Magazine - Collective Valleys: Reclaiming Bisri’s Contested Landscape - Make it stand out</image:title>
      <image:caption>Figure 6: The cultural landscape of the Bisri Valley; Drawing by author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/b6723baa-81ea-427f-a28b-ef4c054b3b72/Figure+7.jpg</image:loc>
      <image:title>Magazine - Collective Valleys: Reclaiming Bisri’s Contested Landscape - Make it stand out</image:title>
      <image:caption>Figure 7: The contested landscape of the Bisri Valley; Drawing by author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/a2af5c90-4649-491c-842f-4279811a1a00/Figure+3.jpg</image:loc>
      <image:title>Magazine - Collective Valleys: Reclaiming Bisri’s Contested Landscape - Make it stand out</image:title>
      <image:caption>Figure 3: Actor-Network Diagram of the Bisri Dam (left), Bisri Dam Project re-drawn from original World Bank image (right). Drawing by author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/19b8054d-8cd0-4cb6-b801-63a700c89f2f/Figure+8.jpg</image:loc>
      <image:title>Magazine - Collective Valleys: Reclaiming Bisri’s Contested Landscape - Make it stand out</image:title>
      <image:caption>Figure 8: Overlapping political and landscape borders of the Bisri Valley; Drawing by author.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/c2cb3f55-8928-416e-857a-9b53cc7441f2/Figure+11.jpg</image:loc>
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      <image:caption>Figure 11: Watersheds as natural borders. Drawing by author.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/648c861b-52ab-4573-b794-c363fc5b1525/Figure+2.jpg</image:loc>
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      <image:title>Magazine - Collective Valleys: Reclaiming Bisri’s Contested Landscape - Make it stand out</image:title>
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  <url>
    <loc>https://www.araburbanism.com/visual-works/desert-of-the-real-y5mba</loc>
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    <lastmod>2023-08-24</lastmod>
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      <image:title>Visual Works - Desert of the Real: a visual travelogue about real and fictional infrastructures around Chott-el-Djerid / شط الجريد - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/65d8dd14-502b-48a1-9ba0-4196aec9636a/desert+of+the+real_04.jpg</image:loc>
      <image:title>Visual Works - Desert of the Real: a visual travelogue about real and fictional infrastructures around Chott-el-Djerid / شط الجريد - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/8a0e9819-a14c-493b-b914-5cd376a3da5e/desert+of+the+real_06.jpg</image:loc>
      <image:title>Visual Works - Desert of the Real: a visual travelogue about real and fictional infrastructures around Chott-el-Djerid / شط الجريد - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/d4a4b960-f48c-428e-9e2d-47b3b09eb5fc/desert+of+the+real_12.jpg</image:loc>
      <image:title>Visual Works - Desert of the Real: a visual travelogue about real and fictional infrastructures around Chott-el-Djerid / شط الجريد - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/d0a71d7b-6a07-43d3-9195-b9433dc833b9/desert+of+the+real_10.jpg</image:loc>
      <image:title>Visual Works - Desert of the Real: a visual travelogue about real and fictional infrastructures around Chott-el-Djerid / شط الجريد - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/80e24f2e-ea74-4f81-8adb-2ec843122f86/desert+of+the+real_08.jpg</image:loc>
      <image:title>Visual Works - Desert of the Real: a visual travelogue about real and fictional infrastructures around Chott-el-Djerid / شط الجريد - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/20a9ae6f-105a-40e1-9c87-5025b39d2376/desert+of+the+real_01.jpg</image:loc>
      <image:title>Visual Works - Desert of the Real: a visual travelogue about real and fictional infrastructures around Chott-el-Djerid / شط الجريد - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/bd822f47-a025-4dff-9e16-104582e14d0b/desert+of+the+real_03.jpg</image:loc>
      <image:title>Visual Works - Desert of the Real: a visual travelogue about real and fictional infrastructures around Chott-el-Djerid / شط الجريد - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/e09a3eed-5d51-4d97-9417-21152adc8c31/desert+of+the+real_05.jpg</image:loc>
      <image:title>Visual Works - Desert of the Real: a visual travelogue about real and fictional infrastructures around Chott-el-Djerid / شط الجريد - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/18f3d209-5bd6-415f-90c4-59a0073bece7/desert+of+the+real_11.jpg</image:loc>
      <image:title>Visual Works - Desert of the Real: a visual travelogue about real and fictional infrastructures around Chott-el-Djerid / شط الجريد - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/221b1618-e9bf-4914-a1e8-a0a107e91179/desert+of+the+real_07.jpg</image:loc>
      <image:title>Visual Works - Desert of the Real: a visual travelogue about real and fictional infrastructures around Chott-el-Djerid / شط الجريد - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1692874824967-GQIVPBPGSD1QLO21PF5Z/desert+of+the+real_01.jpg</image:loc>
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      <image:title>Visual Works - Desert of the Real: a visual travelogue about real and fictional infrastructures around Chott-el-Djerid / شط الجريد</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/2b669316-72cb-4dcf-841a-4fd1e0620b22/desert+of+the+real_09.jpg</image:loc>
      <image:title>Visual Works - Desert of the Real: a visual travelogue about real and fictional infrastructures around Chott-el-Djerid / شط الجريد - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.araburbanism.com/visual-works/beekeepers-library</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-06-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1682943035134-VHF7ZEIDVEYAV00XY706/Fig.1-Bee-Keepers_+Library.jpg</image:loc>
      <image:title>Visual Works - Beekeepers' Library - Figure 1: Flow Chart, ca.1919. Composite photograph made from a scrap of paper, 2013-9.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1682943032884-YECPEGIMD1A92WYZYQWB/Fig.2-AZ+Abushady%2C+ca.1931.jpg</image:loc>
      <image:title>Visual Works - Beekeepers' Library - Figure 2: Dr. A.Z. Abushâdy, ca.1931. Digital collage, 2019-22.</image:title>
      <image:caption>“With the prospects of a World Peace that promises to be in one way or the other responsible for the institution of international friendship and co-operation, and for the wider exchange of knowledge, THE BEE WORLD makes its appearance.”  (The Bee World: An International Monthly Journal devoted to the progressive interests of Modern Bee Culture. Founded 1919. Edited by A.Z. Abushâdy. Vol.1, no.1. June 1919).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1682943036253-9QSQQM1TBHIPDN229KKA/Fig.3-Amina+Abushady+%28nee+Bamford%29%2C+ca.+1917.jpg</image:loc>
      <image:title>Visual Works - Beekeepers' Library - Figure 3: Amina (Annie) Abushâdy (née Bamford), ca. 1917. Digital collage, 2019-22.</image:title>
      <image:caption>“In vindicating the freedom of the Press, THE BEE WORLD gives full publicity, on questions affecting the advancement of Bee-keeping, to the views of all responsible writers, irrespective of their party or school, and without necessarily sharing their opinions. No literary responsibility can therefore be held by this Journal for signed or quoted contributions.”  (Editorial, “Foreword,” The Bee World, Vol.1, no.1. June 1919).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1682943037501-MIC29XG0A69Z9JPFE9K2/Fig.4-The+Bee+Kingdom.jpg</image:loc>
      <image:title>Visual Works - Beekeepers' Library - Figure 4: The Bee Kingdom. Digital collage, 2019-22.</image:title>
      <image:caption>“Impartial and fearless, modern and progressive, THE BEE WORLD in its infancy greets the Beekeeping Fraternity in all lands, welcomes their advice and criticism, and opens its pages to all lovers of the Honey Bee, trusting that through their continued support it may be destined to enjoy a quick development and a long life.”  (Editorial, “Foreword,” The Bee World, Vol.1, no.1. June 1919).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1682943038795-19FIAS5OTI71C7GP130U/Fig.5-Apiary+in+Khorshed%2C+Egypt%2C+ca.1930s.jpg</image:loc>
      <image:title>Visual Works - Beekeepers' Library - Figure 5: Apiary, Khorshed, Egypt, ca.1930s. Digital collage, 2019-22.</image:title>
      <image:caption>“Science and education have no regard for geographical boundaries, nor for the much abused gospel of nationalism, originally representing, in the form of patriotism, the devotion of the individual to the interests of his community, but finally becoming everywhere transformed into communal selfishness. No! The advancement of the human race, through the creation of greater intellectualism, demands from all people mutual help, a freer exchange of thought, and the establishment of the international spirit in every branch of culture. Our earnest hope is to continue enjoying their priceless confidence, to deserve many additional friends, and to be able to serve, to the best of our humble capacity, the Cause of bee culture, which is at one and the same time an interesting science, a commercial business, a mental and a bodily recreation, as well as a respectable contributor of a valuable food for the people, great and small, adults and children.”  (Editorial, “Foreword,” The Bee World, Vol.1, no.1. June 1919).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1682943050094-GCH4P83ZCFWP0IUUJS4X/Fig.6-Abushady_s+Removeable+Aluminum+Honeycomb.jpg</image:loc>
      <image:title>Visual Works - Beekeepers' Library - Figure 6: Abushâdy's Removeable Aluminum Honeycomb. Digital collage, 2019-22.</image:title>
      <image:caption>“The reputation of this particular strain of bees for unsurpassed beauty is well known; but equally advertised are its defects. The Egyptian bee, amongst others, hardly knows in the Nile Valley the diseases familiar to other bee strains. ...Apparently it is not a false immunity, but the ideal Egyptian climate for beekeeping should not be lost sight of. It makes all the difference to have a favourable climate facilitating regular cleansing flights and stimulative to compensatory breeding, especially when the queen is worthy of survival. Disease of adult bees can hardly make a footing under such conditions.” (Editorial, “Apis Fasciata,” The Bee World, Vol.1, no.1. June 1919).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1682943048958-HNMJ7R6J9TCTOF7UPWW5/Fig.7-Abushady_s+Removeable+Aluminum+Honeycomb+%282%29.jpg</image:loc>
      <image:title>Visual Works - Beekeepers' Library - Figure 7: Abushâdy's Removeable Aluminum Honeycomb (2). Digital collage, 2019-22.</image:title>
      <image:caption>“The other question is whether under modern conditions, the Egyptian bee, which has been so much neglected for decades, can possibly shake off some of the defects attributed to it, and which are apparently the consequence of adaptation to unfavourable conditions. A third point is to experiment with the evolution of selected Egyptian hybrids, and to compare their resistance to English climatic conditions and to disease incidence with present predominant strains, as well as with pure Egyptians, one’s principal aim being to raise a selected hybrid Egyptian bee that may be truly considered superior to the present popular strains.”   (Editorial, “Apis Fasciata,” The Bee World, Vol.1, no.1. June 1919).</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1682943054385-9AJZWWCZFLGDLWAMBGBS/Fig.8-The+Bee+Kingdom%2C+_Perfume_.jpg</image:loc>
      <image:title>Visual Works - Beekeepers' Library - Figure 8: The Bee Kingdom, 'Perfume'. Digital collage, 2019-22.</image:title>
      <image:caption>“A hive population is continuously undergoing renewal by loss of older bees and the production of new bees. Recovery in a stock can be attained only by the failure of the disease to spread amongst the younger as the older die out. The rate of spread varies in relation to factors at present unknown, and, as far as appearances go, is further obscured by the rate of production of new bees by the queen. When she is young and prolific, she may far outstrip the losses from disease, and the colony may maintain itself so as to be profitable for the owner for a time. When new bees cease to be produced the disease gains upon the colony, and in this way the failure of stocks from the disease is more common in autumn and winter than at other times.”  (Editorial, “Dr. Rennie’s Researches,” The Bee World, Vol.1, no.1. June 1919).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1682943055509-LN7Y35C6C0KQ2VLVOIQP/Fig.9-The+Bee+Kingdom%2C+_Perfume+%282%29_.jpg</image:loc>
      <image:title>Visual Works - Beekeepers' Library - Figure 9: The Bee Kingdom, 'Perfume (2)'. Digital collage, 2019-22.</image:title>
      <image:caption>“An established queen may be forced to desert her progeny through nervousness, resulting from prolonged manipulation. ...Italian bees, as may be expected from their docility, are more subject to this occurrence, which in any case is fortunately not a common one. This on the part of the queen is nothing short of a suicide...” (Editorial, “Brood Desertion,” The Bee World, Vol.1, no.1. June 1919).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.araburbanism.com/visual-works/erasure-and-ddisembodiment-as-blackout-the-case-of-heliopolis-cairo</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-07-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1682945617904-LUDIJIIGJJPP6LMLIU58/Image+6+2.jpg</image:loc>
      <image:title>Visual Works - Erasure and disembodiment as blackout: The case of Heliopolis, Cairo</image:title>
      <image:caption>Image 6: A traffic warden assisting a pedestrian with crossing Abu Bakr El-Siddiq Road, opposite The English School. Taken February 2020.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1682945631080-XE8O0VO19T4352C94YK5/Image+7+2.jpg</image:loc>
      <image:title>Visual Works - Erasure and disembodiment as blackout: The case of Heliopolis, Cairo</image:title>
      <image:caption>Image 7: Bulldozers parked after overnight work razing a section of the expansive gardens of Sayed Zakaria Road in Masaken Sheraton. Taken September 2021.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1682945629175-37YNRON2PRA194ZIRZEW/Image+8+2.jpg</image:loc>
      <image:title>Visual Works - Erasure and disembodiment as blackout: The case of Heliopolis, Cairo</image:title>
      <image:caption>Image 8: El-Hegaz Street with works in progress after the gardens lining the island that divided the road were paved and trees uprooted. The road has now been widened to host six lanes in each direction. Taken February 2020.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1682945642405-4HY4X0WYLRPTVYRPWSP5/Image+9+2.jpg</image:loc>
      <image:title>Visual Works - Erasure and disembodiment as blackout: The case of Heliopolis, Cairo</image:title>
      <image:caption>Image 9: The site of the former gardens of El-Montaza Street, now home to a car park. Taken August 2021.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1682945642904-OYQH1L6J31JXVIAHNP74/Image+10+2.jpg</image:loc>
      <image:title>Visual Works - Erasure and disembodiment as blackout: The case of Heliopolis, Cairo</image:title>
      <image:caption>Image 10: Lone banana cart roaming the twelve-lane El-Hegaz Street; a crucial main road in a residential area that used to be lined with trees under which many fresh produce stalls were informally set up. Taken January 2022.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1682945026005-MY4QE3GFSBSRWHUBQJ0W/Image+1+2.jpg</image:loc>
      <image:title>Visual Works - Erasure and disembodiment as blackout: The case of Heliopolis, Cairo</image:title>
      <image:caption>Image 1: Pedestrians, including school children, walking along a leafy street in Heliopolis. Taken March 2013.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1682945048881-AIKCZAXGJJM97SUPMAOB/Image+2+2.jpg</image:loc>
      <image:title>Visual Works - Erasure and disembodiment as blackout: The case of Heliopolis, Cairo</image:title>
      <image:caption>Image 2: A broad, tree-lined pavement along Nehru Road, featuring home furniture, plant pots and a recently finished cup of tea. Taken January 2022.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1682945043532-9E6BXLMS21TQHAK9JWO7/Image+3+2.jpg</image:loc>
      <image:title>Visual Works - Erasure and disembodiment as blackout: The case of Heliopolis, Cairo</image:title>
      <image:caption>Image 3: Market scene in the busy Midan El-Gamea, with slow-moving traffic. Taken May 2013.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1682945067282-853IZYG8I4ANO3W8MJYG/Image+4+2.jpg</image:loc>
      <image:title>Visual Works - Erasure and disembodiment as blackout: The case of Heliopolis, Cairo</image:title>
      <image:caption>Image 4: One of the trees of the El-Korba area, providing shade from the mid-day August sun. Taken August 2021.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1682945069037-AC0H4BP12FT32KUGQAPT/Image+5+2.png</image:loc>
      <image:title>Visual Works - Erasure and disembodiment as blackout: The case of Heliopolis, Cairo</image:title>
      <image:caption>Image 5: The green Nehru Road in which there has been a campaign by local residents to protect its trees and gardens from encroaching unrooting that has been taking place in its vicinity. Taken June 2022.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1682945955298-K4U6F9IBRURPHSTSXSXC/Image+11+2.jpg</image:loc>
      <image:title>Visual Works - Erasure and disembodiment as blackout: The case of Heliopolis, Cairo</image:title>
      <image:caption>Image 11: One of the many residential buildings left to collapse in a state of disrepair. Taken on Menouf Street in January 2022.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1682945956159-URAJ8HWYU0P6RKAPERRV/Image+12+2.jpg</image:loc>
      <image:title>Visual Works - Erasure and disembodiment as blackout: The case of Heliopolis, Cairo</image:title>
      <image:caption>Image 12: An abandoned car buried in/covered with greenery. Taken January 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1682945971257-MQL9ZYBEHPNV0PRIMR8N/Image+13+2.jpg</image:loc>
      <image:title>Visual Works - Erasure and disembodiment as blackout: The case of Heliopolis, Cairo</image:title>
      <image:caption>Image 13: An old phone booth that is no longer functioning. Taken on Mohamed Bek Ramzy Street, August 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1682945971933-6HHLD70WY96FO8SBFXNE/Image+14+2+%281%29.jpg</image:loc>
      <image:title>Visual Works - Erasure and disembodiment as blackout: The case of Heliopolis, Cairo</image:title>
      <image:caption>Image 14: A sign at the entrance to a local park indicating that it is forbidden to enter, sit in or use for ball games or dog-walking. Taken August 2021.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1682945985159-DV877AA4DGBSSE2GJO49/Image+15+2.jpg</image:loc>
      <image:title>Visual Works - Erasure and disembodiment as blackout: The case of Heliopolis, Cairo</image:title>
      <image:caption>Image 15: A hand-written banner seemingly by the local authority located by the entrance of a landmark residential building warning against entry due to danger. Taken August 2021.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/1682945987555-USZZ6NBIU2AMAH5YCUTR/Image+16+2.JPG</image:loc>
      <image:title>Visual Works - Erasure and disembodiment as blackout: The case of Heliopolis, Cairo</image:title>
      <image:caption>Image 16: A broken and concealed sign for Ibn Sina Primary School. Taken on Ibn Sina Street, August 2021.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/bd230ac8-2cf8-4726-9d29-fc693dc92ea2/Image+17+1.jpg</image:loc>
      <image:title>Visual Works - Erasure and disembodiment as blackout: The case of Heliopolis, Cairo - Make it stand out</image:title>
      <image:caption>Image 17: Graffiti near Haroon El-Rashid Street that reads: ‘All streets are our streets’. Taken February 2020.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.araburbanism.com/visual-works/glass-and-glare-reflections-on-balcony-glazing-in-beirut</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-06-01</lastmod>
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      <image:title>Visual Works - Glass and Glare: Reflections on Balcony Glazing in Beirut</image:title>
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      <image:title>Visual Works - Glass and Glare: Reflections on Balcony Glazing in Beirut</image:title>
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      <image:title>Visual Works - Glass and Glare: Reflections on Balcony Glazing in Beirut</image:title>
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  </url>
  <url>
    <loc>https://www.araburbanism.com/visual-works/mulahazat-min-wadi-alayn</loc>
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    <lastmod>2023-06-01</lastmod>
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    <loc>https://www.araburbanism.com/visual-works/climate-vulnerability-and-slow-violence-in-kuwait</loc>
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    <priority>0.5</priority>
    <lastmod>2023-06-01</lastmod>
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      <image:title>Visual Works - Climate Vulnerability and Slow Violence in Kuwait - Make it stand out</image:title>
      <image:caption>Image 23: Dead tree, Sharq</image:caption>
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      <image:title>Visual Works - Climate Vulnerability and Slow Violence in Kuwait - Make it stand out</image:title>
      <image:caption>Image 19: Abandoned television on the side of a street, Salmiya</image:caption>
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      <image:caption>Image 8: Open air market, Jleeb Al-Shuyoukh</image:caption>
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      <image:caption>Image 24: Shopping in Friday Market, a primary destination for low-income migrant workers, Alrai</image:caption>
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      <image:caption>Image 1: A lonely lifeless tree in a public park, Jleeb Al-Shuyoukh</image:caption>
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      <image:caption>Image 22: Workers accommodation, Al Rai</image:caption>
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      <image:caption>Image 28: Working on a villa roof in 50C. Construction labourers rarely wear protective equipment while working in dangerous conditions and extreme temperatures. Workplace accidents are frequent, Salmiya</image:caption>
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      <image:title>Visual Works - Climate Vulnerability and Slow Violence in Kuwait - Make it stand out</image:title>
      <image:caption>Image 31: Malnourished dog hiding from the heat. The carcasses of dead animals, birds, and other insects are a common sight during the summer months, Jleeb Al-Shuyoukh</image:caption>
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      <image:caption>Image 3: Food and other refuse in a public park in Salmiya neighbourhood, Salmiya</image:caption>
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      <image:caption>Image 13: Slum Alleyway, Jleeb Al-Shuyoukh</image:caption>
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      <image:caption>Image 25: Waiting for a customer at an autoshop, Salmiya</image:caption>
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      <image:title>Visual Works - Climate Vulnerability and Slow Violence in Kuwait - Make it stand out</image:title>
      <image:caption>Image 30: Friday Market offers a diverse urban shopping experience, despite poor public transportation access and a lack of amenities to deal with increasing temperatures, Alrai</image:caption>
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      <image:caption>Image 11: Dying palm tree, Jleeb Al-Shuyoukh</image:caption>
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      <image:caption>Image 18: One of countless broken windows in neglected areas, Jleeb Al-Shuyoukh</image:caption>
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      <image:title>Visual Works - Climate Vulnerability and Slow Violence in Kuwait - Make it stand out</image:title>
      <image:caption>Image 17: Graffiti and chair art. Despite many migrant areas being neglected, there are attempts to beautify the area by residents, Jleeb Al-Shuyoukh</image:caption>
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      <image:caption>Image 7: Walking home from work in 51C, Jleeb Al-Shuyoukh</image:caption>
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    <image:image>
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      <image:title>Visual Works - Climate Vulnerability and Slow Violence in Kuwait - Make it stand out</image:title>
      <image:caption>Image 29: Workers labouring in 50C heat to install parking shades, Hawalli</image:caption>
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    <image:image>
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      <image:title>Visual Works - Climate Vulnerability and Slow Violence in Kuwait - Make it stand out</image:title>
      <image:caption>Image 2: A view from a beach of polluted waters with a tanker traversing the Arab Gulf in the background, Fintas</image:caption>
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    <image:image>
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      <image:caption>Image 10: Driver’s section of a burnt out bus, Jleeb Al-Shuyoukh</image:caption>
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    <image:image>
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      <image:title>Visual Works - Climate Vulnerability and Slow Violence in Kuwait - Make it stand out</image:title>
      <image:caption>Image 6: Taking cover in the heat downtown, Alasimah</image:caption>
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    <image:image>
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      <image:caption>Image 34: Pondering life, Alrai</image:caption>
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    <image:image>
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      <image:title>Visual Works - Climate Vulnerability and Slow Violence in Kuwait - Make it stand out</image:title>
      <image:caption>Image 5: Trying to stay cool while shopping, Friday Market, Alrai</image:caption>
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    <image:image>
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      <image:title>Visual Works - Climate Vulnerability and Slow Violence in Kuwait - Make it stand out</image:title>
      <image:caption>Image 33: Waiting for the bus in 50C, Hawalli</image:caption>
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    <image:image>
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      <image:title>Visual Works - Climate Vulnerability and Slow Violence in Kuwait - Make it stand out</image:title>
      <image:caption>Image 15: Discarded license plate, Sharq</image:caption>
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    <image:image>
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      <image:title>Visual Works - Climate Vulnerability and Slow Violence in Kuwait - Make it stand out</image:title>
      <image:caption>Image 9: Slum housing, Jleeb Al-Shuyoukh</image:caption>
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    <image:image>
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      <image:title>Visual Works - Climate Vulnerability and Slow Violence in Kuwait - Make it stand out</image:title>
      <image:caption>Image 16: Kidney donation sign. It is illegal to advertise for organ donations, although it is very common in Kuwait, Jleeb Al-Shuyoukh</image:caption>
    </image:image>
    <image:image>
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      <image:title>Visual Works - Climate Vulnerability and Slow Violence in Kuwait - Make it stand out</image:title>
      <image:caption>Image 26: Shopping in the heat, Friday Market, Alrai</image:caption>
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    <image:image>
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      <image:title>Visual Works - Climate Vulnerability and Slow Violence in Kuwait - Make it stand out</image:title>
      <image:caption>Image 12: Passenger’s section of a burnt out bus, Jleeb Al-Shuyoukh</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5db868ff8391166e189426f2/743c07f8-414e-454b-a421-4528163e2967/Image+4.JPG</image:loc>
      <image:title>Visual Works - Climate Vulnerability and Slow Violence in Kuwait - Make it stand out</image:title>
      <image:caption>Image 4: Labourers keeping out of the heat behind a barbed wire barricade, Jleeb Al-Shuyoukh</image:caption>
    </image:image>
    <image:image>
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      <image:title>Visual Works - Climate Vulnerability and Slow Violence in Kuwait - Make it stand out</image:title>
      <image:caption>Image 21: Sewage filled streets, Jleeb Al-Shuyoukh</image:caption>
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    <image:image>
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      <image:title>Visual Works - Climate Vulnerability and Slow Violence in Kuwait - Make it stand out</image:title>
      <image:caption>Image 20: Mid-day stroll in 52C, Mangaf</image:caption>
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    <image:image>
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      <image:title>Visual Works - Climate Vulnerability and Slow Violence in Kuwait - Make it stand out</image:title>
      <image:caption>Image 32: Derelict boat in an abandoned garden, Salmiya</image:caption>
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      <image:title>Visual Works - Climate Vulnerability and Slow Violence in Kuwait - Make it stand out</image:title>
      <image:caption>Image 14: Abandoned building, Jleeb Al-Shuyoukh</image:caption>
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    <image:image>
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      <image:caption>Image 27: Waiting for a customer in 51C, Friday Market, Alrai</image:caption>
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  </url>
  <url>
    <loc>https://www.araburbanism.com/visual-works/remaining-cairo</loc>
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    <lastmod>2023-06-01</lastmod>
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  <url>
    <loc>https://www.araburbanism.com/visual-works/a-vertical-mazraa</loc>
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    <lastmod>2023-06-01</lastmod>
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      <image:title>Visual Works - Electricité du Liban: A Vertical Mazra'a - Make it stand out</image:title>
      <image:caption>Figure 1. EDL Vertical Mazraa' is a cynical illustration that re-imagines the state-owned EDL (Electricity of Lebanon) Headquarters as an Urban Vertical farm controlled by competing entities.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.araburbanism.com/visual-works/quo-vadis-abu-dhabi</loc>
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    <lastmod>2023-05-01</lastmod>
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      <image:title>Visual Works - “Quo Vadis, Abu Dhabi?”</image:title>
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      <image:title>Visual Works - “Quo Vadis, Abu Dhabi?”</image:title>
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      <image:title>Visual Works - “Quo Vadis, Abu Dhabi?”</image:title>
    </image:image>
    <image:image>
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      <image:title>Visual Works - “Quo Vadis, Abu Dhabi?”</image:title>
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    <image:image>
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      <image:title>Visual Works - “Quo Vadis, Abu Dhabi?”</image:title>
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  </url>
  <url>
    <loc>https://www.araburbanism.com/visual-works/furnishing-modernity</loc>
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    <priority>0.5</priority>
    <lastmod>2020-08-22</lastmod>
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      <image:title>Visual Works - Furnishing Modernity: Residential Entryways in Post-Independence Lebanon</image:title>
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      <image:title>Visual Works - Furnishing Modernity: Residential Entryways in Post-Independence Lebanon</image:title>
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